A high-gloss diva who can play delicate or fierce. Ariana Grande Video Essentials. The pop princess with a massive voice racks up some monster hits.Ariana Grande presents herself on her own terms, in all her flaws and vulnerabilities, in her sixth studio album titled Positions (2020). Albums include Thank U, Next. Genres: Contemporary R&B, Dance-Pop, Electropop. Apple Music Pop.Ariana Grande discography and songs: Music profile for Ariana Grande, born 26 June 1993. These album cuts and one-offs showcase her buoyant voice.She swiftly plunges into the delightfully trilling chorus of “You know you sound so dumb / So maybe you should shut up.” The juxtaposition of Grande’s always agile runs and her straightforward suggestion-yet-also-request results in a pleasantly wonderful introduction into her surprise project. “All them demons helped me see shit differently.” Her established proficiency in harmonies enters into the mix immediately, as a chorus of Arianas unify to combat an imaginary collection of gossip and Internet haters. “My presence sweet and my aura bright,” she declares assuredly. After delivering the LP in October 2020, the God Is a Woman singer unveiled five new songs on the newly-released version of her sixth studio album, which includes the bonus tracks Someone Like U (Interlude), Test Drive, Worst Behavior, Main Thing and a remix of 34+35 featuring Doja Cat and Megan Thee Stallion.Ariana Grande tabs, chords, guitar, bass, ukulele chords, power tabs and guitar pro tabs including 7 rings, almost is never enough, best mistake, baby i, be my babyGrande’s tumultuous past few years have already been documented and scrutinized, but she puts an end to the speculation and frees herself from the start in the opening track, “shut up.” The title aptly suits Grande’s darkly honest humor, but its lyrics and sound prepare listeners for her gentle admonitions toward those who claim to know her, as she sets the record straight and beckons an open ear.An array of softly mournful string instruments fills the first several seconds until Grande’s low, sweet-toned voice brushes over staccato plucks. Despite following the looming giants that are its hugely successful predecessors, Sweetener (2018) and thank u, next (2019), Positions finds its own footing within chill trap, pop, and R&B beats impeccable vocals, as always and consistently gorgeous orchestral arrangements.Ariana Grande's Positions deluxe album has arrived.A short sound bite of Grande’s sultry chuckle opens the gloriously sex-dominant track that faces the still somewhat taboo topic of female sexuality. The album navigates new love—both the falls and triumphs—and healing from the past, an obstacle with which both her fourth and fifth albums grappled heavily.That is not to say that the album is only serious and probing—in fact, the very next song after the earnest “shut up” is an unabashed celebration of intimacy and connection called “34+35” (you do the math). Dalton Gomez, a successful twenty-something real estate agent. One big change, which she slowly revealed in stages throughout quarantine, is her seemingly quite serious relationship with a Mr. This time, if it was not clear already, her music speaks for itself.
The Weeknd returns as an interlocutor and companion to join Grande in the emotionally wrenching ballad “off the table.” Pure vulnerability strikes deeply from the opening lyric, “Will I ever love the same way again? / Will I ever love somebody like the way I did you?” Haunting, low vocal distortion tracks her statements, like the answer she hopes not to hear. In each collaboration with featured artists, Grande tests and teases out the possibility of love. The song may be mostly about sex, but “34+35” shows that at some level, Grande has embraced the new infatuation and thrill of love.The theme of sensuality continues, but hesitation enters as well. The high-tempo, skipping beat behind Grande’s alluring singing and playful echoing of herself makes for an instantly catchy hit. The whole two-minute, 54-second track is hilariously dirty. Her goal was to preserve the integrity of the earnest artistry in the rest of the songs while creating a fun track with opposingly dirty lyrics.“34+35” certainly does its job, filling the smoothly climbing and falling beginning strings with innuendos and blatantly sexual lyrics galore. Download pspp for pcDays of the booming pop anthems “Dangerous Woman” and “Break Free” have possibly passed in favor of more mature-sounding, earnest records. With a retro beat, claps, and some mild switches in flow, the song is still cool and catchy, yet not the shining jewel of a song it could have been.Other songs do not leave jaw-dropping first impressions, either. Even while having one of pop’s biggest stars in its corner, the track is unfortunately one of a few on Positions which feel somewhat dull, with nothing as fresh or game-changing as thank u, next. Whereas the beginning songs trace infatuation, flirtation, and possibility, “safety net” leads into the section of Positions that falls freely into deep and consuming love.In “motive,” featuring Doja Cat, the punchy beat feels standard, but with a tinge of disco, familiar to Doja’s discography. In “safety net,” Ty Dolla $ign reveals his own melodic voice to harmonize with Grande’s light yet powerful soprano. The repetition of “are you down” is simplistic, maybe too much so for some listeners, but of course Grande sprinkles in artful vocal flourishes and runs. “I’ll bring the light right back,” she promises confidently, a reinvention of the Nicki Minaj-accompanied track “the light is coming.” The latter, “six thirty,” asks for confirmation from a lover that, like the two clock hands, they are “down like six thirty,” with bouncing tones and snappy percussion that mimic clock ticking. The former is only a little over two minutes and glides along with the help of low, murmuring vocals. Her tresses serve as a marker of who and what she has been—the red hair is her Nickelodeon kids’ show past, her natural curls ground her to who she has been before any ounce of fame, and the pony is her stage persona. Grande’s hair has received tons of attention over the years, and she herself names her hair as an integral part of her career. Grande finds her shine in “just like magic,” a glitzy track about manifesting goodness and sending “love and light.”Similarly, “my hair” is a standout song that definitively marks new territory. The starkly different outro features a cute allusion to the occupation of her new beloved: “I ain’t tryna sign no lease / I’m just gon’ make you my home.” At first impression a bubblegum-pop adjacent track, “just like magic” surprises with thumps and skips to Grande growing and finding her best self. Jazzy elements move the song at a midtempo pace to Grande serenading her lover and transitioning effortlessly from a confiding whisper to alluring encouragement. The track “love language” opens to jaunty whirls of violins. Boku no roblox money hackHer whistle tones are always a source of awe, whether she is hiding them as a background element in “nasty” or brandishing them as evidence of joy.The last three songs are a perfect trifecta: “ positions ,” “obvious,” and “pov” are excellently crafted, gorgeously written, and vocally stunning. Showing mastery over an infamously tricky range to access, she showcases her yearning further, articulating each word in a skyrocketing key. Her sultry coaxing slinks over intimate confessional: “This ain’t usually me / But I might let it down for you.” In “my hair,” Grande beckons with low harmonies and pines bold and full up until the last chorus, which is where her vocals ascend into the arena of otherworldliness: she whistles the entire last chorus. This era promises Grande at ease, not only personally, but even more so vocally.The upbeat title track sears the way for the criminally too short “obvious,” a relaxed, blissful tune over caresses of strings and gently treading beats. “Know my love infinite, nothing I wouldn’t do” is the constant declaration. The guitar twangs into uptempo percussion over Grande’s flexible, robust performance is a match made in heaven. Containing more meaning beyond just sex, “positions” highlights Grande’s commitment to love and newly found healthy relationship. ![]() Grande’s voice builds, strengthening, with the first repeat of the chorus. “I wanna love me, / The way that you love me,” she says, in awe of her partner’s full acceptance “for all of my pretty / And all of my ugly, too.” Sustained and whispered background notes saturate “pov” with a safe, angelic peace, but not for long. Grande’s opening breath flows into a delicately raw baring of her soul.
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